
You Spent the Night Painting?,
by Sam Ruff
Your neighbors are drinking, laughter bristling
through these thin, cracked walls. Your roommates,
watching a movie don’t hear it, feel it, like you do.
Your best friend is playing video games in their chair
you always sit in while your aging family is dealing
out their frayed deck of cards once more this night.
Yet you’re here, making me. At least there’s music,
nice choices by the way. Your face is smooth and blank
with each stroke, but you pause, and then you smile
at me, brightly. I’d smile back, but you haven’t
given me a mouth, will you? We’ll see.
I suppose I’m honored, if I can feel honor. An
adventurous Saturday night and you’re with me.
Some would say this is sad, but I don’t think so
We’re keeping each other company, even if
you don’t quite truly know it yet.
9 Months,
by Sam Ruff
Mothers cradle their newborns, looking
on with a newfound affection. It crawled
out of her and she loves it.
She strokes the new skin softly and coos
I want to do the same, with my uterus.
1 ounce. I’ve grown this and it needs me.
It is me. To drag my finger across it’s pink cheek
and watch as it wraps a tube around my finger
in a weak grip.
I would curl my lips at it, just like a mother,
bare my teeth in a shower of joy. Put my mouth
against the brand-new surface, Life flowing so
close. I want to pinch it. With my teeth. Gnaw
its throat open. My creation; my choice.
This is my agony, my pride, His mistake.
I love it. I am nothing without it. I hate it.
Sam Ruff is a Michigander from Milan, currently studying English and Art in Toledo. She started writing poetry mid-2022, though her family can vouch that she’s been writing with vigor since she could get a strong enough grip on a crayon and close enough to the wall. Despite this late start, Sam has amassed over 150 poems so far, and has many more to come. The source of her inspiration stems and echoes from her keen eye of the world and all that is beyond it.
King of Pentacles (Reversed),
by Robert Beveridge
his office is not the largest
in the building but he chose
it anyway so he can sit
by the window and see cargo
in its endless flow between docks
and warehouses sometimes
the early janitor comes in
and finds him slumped
in his chair where he fell
asleep as he calculated profit
down to the penny
Shear (for Andy Grant),
by Robert Beveridge
You think about the houses
up the hill, whether their occupants
might have fire extinguishers.
Thick black clouds billow up
from the accident in front
of the sulfuric acid tank. In minutes,
perhaps less, consumption will
rupture, release the hydrogen
trapped in the tank, level two
blocks of factories, mines,
a single dive bar in its death throes.
You ponder the cigarette
between your fingers, wonder
if you should light it, if
you will be able to start off
in the opposite direction.
Robert Beveridge (he/him) makes noise (xterminal.bandcamp.com) and writes poetry on unceded Mingo land (Akron, OH). Recent/upcoming appearances in Bond Street Review, Live Nude Poems, and Down in the Dirt, among others.
First Blossom,
by Casey Laine
The first blossom
On my winter squash
Is female.
Lacking a male,
She will fade,
Unfertilized,
By evening,
And her fruit will fail.
Still, she opens in beauty
Under the sun
And offers her grace
And optimism
To the day.
So too may we all,
And that is quite enough.
Casey Laine (she/her) comes from a long line of talkative women. She has worked as Fantasy Editor at Cosmic Roots and Eldritch Shores and published two anthologies of fiction and poetry for her online writing group, Writers Assembled. She mostly writes fantasy, but occasionally pops out a review, an article, or a poem. In her spare time, she takes long walks with her giant dog and chases butterflies with her camera.
Brazen,
by Chris Wood
Dust particles float over my desk
highlighted by the August sun,
my fingers warm as they click letters into words
on my desktop monitor.
Numbers blur on the spreadsheet.
Disappointment clouds my vision.
Monotony weighs heavy on my eyelids.
A boring day leading to a lonely night.
An alert wakes my iPhone.
Another possibility on Match.com lifts my eyebrows,
my spirits, my hope, my inner longing or
really just my lusty desire.
His words scripted to flatter.
Flowery phrases written in bold letter font.
Profile pics colored in cockiness—
fitted blue jeans, broad shoulders, and piercing brown eyes.
Your half smile draws me in.
Yes, I’ll meet you at Applebee’s for drinks
and yes, I plan to take you home tonight.
Chris Wood lives in Tennessee with her husband and several fur babies. She is a member of the Chattanooga Writers’ Guild, and her work has appeared in several journals and online publications, including Poetry Quarterly, Panapoly, and the American Diversity Report. Learn more at chriswoodwriter.com.
A Sometimes Gardener Contemplates,
by Carol Lee Saffioti-Hughes
The zinnias and marigolds straggle
seeds were never my strength
I used to hold the quack grass at bay
its roots run deep and long in this sandy soil
and now it straddles the rows.
Sedge grows too, with bushy heads
a pale red color that takes over the pale thyme.
Even hearty rosemary can’t win the fight
but as things go
oregano likes my garden too much
I can only make so much pasta sauce.
The bees, well, they may not like the rest
but swarm the oregano, spreading pollen
like the foragers they are.
Mint returns, holding up over winter.
The Indian paint brush makes its strokes
where I never planted it, painting its own
look of native pride among the dill
which doesn’t do so well in drought.
The chive returns, tough to cut now
and I let it bloom. I like the purple flower.
The onions move out,
the crabgrass moves in.
I let the intruding
sundial plant grow that follows the horizon.
There’s a nest at the edge where
the tomatoes used to be—
I see the ground squirrels in the morning
and when they see me, they stop chewing
the chamomile that I planted to cut for tea.
Dew in the morning, rain other time
is all the nurturing now
and was, I suppose. All these things
have their way, leaving me
gathering what I can.
A retired college professor and log cabin librarian, Carol Lee’s work includes appearances in The San Antonio Review, Dos Gatos Press, The Greensboro Review, Ekphrastic Review, Poetry Hall, Of Rust and Glass, The Awakenings Review, among others. The Root River Voices anthologies contain her poems in the annual and collective publications. She is also in the anthology Unsettling America, published by Penguin Books, New York, and is a prize winner in the 2023 Rosebud poetry competition. Her most recent chapbook, When Wilding Returns, is available from Cyberwit Press and elsewhere online.
On Athenor,
by Mark C. Amos
It’s a dark world, even a dark world—a red shimmering-like-clotted-gelatin-awaiting-the-spoon.
It’s a pouring down, drowning sulphur-gray rain of stone/unburied ash that fails the lead sky.
It’s a death-train, a chamber dis-consecrated, ovens blazing, brazing flesh and bone and tears.
It’s Luther’s last legacy of hate, his ultimate thesis, a crucible now transforming his progeny into fearsome fiery solutions, here.
The Valkyrie sing—they drop their dust and ash like a spider-offering in the charred Valhalla of this chancellery.
They sing a horror-hymn of Wagner. They whisper wandering in their pillage—and sacrifice to unholy fire-triangulated patches of stars.
They scream, the dark priests in this torrid temple cry, “We are robbed of our gold!” Yet their gods cower in clouds of fear.
They chant the last dirge of drunken stumbling giants who marched, in ragged time, over bleaching bones and sought their final solution, here.
The sear of sun will scorch this acrid place so deeply on this summer day.
But cankers and blisters and sores carved by his grievous glance will scar, hidden;
Will soon show only blank cords and smooth knotted spaces where his glare lights and solves and renders like oil melting from skin.
We now see only swirls of paper that echo breaths of ghosts, the sighing of shades describing underlying tissues.
Our eyes now tire of vision telescoped and blurred and scratched by time.
Our ears now empty of fitful prayers that leaven lives of those who yet remain in line.
Our hearts now choke of stifling strata, a geography and culture of golden grime.
Our souls peer inward, yet avoid that dark red world, that clotted core of our crime.
Now, outside, there is a field; a potter’s field devoid of quiet graves.
Inside, there is still ash and bone meal drooling dryly from the haughty stone this day.
Time opens before, to swallow mortal men who walked once this way.
Time closes after and seals up men who seek to hide this place in the pit of history.
Mark Amos is a retired information technology professional with a literary bent. Most of his writing has been technical, but adult fiction has been his passion since retirement. He’s always been interested in poetry and enjoys writing thoughtful and emotional pieces.
Capital Irony,
by Jill A. Jablonski
Hey, hey!
Laboring your day away
Selling cell phones cheap
Like a dime house creep
In a department store
Never has there been a more
Ironic way.
To spend your Labor Day
In between Jill Jablonski’s adventures of traveling the world as a student and assistant teacher, she writes poetry, short stories, and scripts, and works as a professional ghoul at Cedar Point. Finally, stateside again, Jill is putting her degree in Public Folkloristics to use as a county employee for her hometown museum in Michigan. Much of her work can be found in other issues of Of Rust and Glass and early issues of the University of Toledo’s The Mill magazine.
Hanging Clothes Outside,
by Julie H. Bolton
Sweat From Our Foreheads,
by Dan Denton
we wipe sweat from our foreheads
as giant industrial fans
hum above us
fans made impotent
by heat
and humidity
bosses breathe down our necks
as we hang precariously
to middle class life
one step ahead of the repo man
we wipe sweat from our foreheads
while the CEO collects luxury sports cars
mansions
and civic awards
investors hoard dividends
and build small fortunes
dividends earned by our carpal tunnel
and varicose veins
fortunes built by our arthritis
and surgically repaired backs
we wipe sweat from our foreheads
waiting to hear if our name
is on the Sunday overtime list
we don’t ask for anything
but a chance to feed our families
we don’t ask for anything
but health insurance
and a chance to retire
while we can still walk
we wipe sweat from our foreheads
while limping out of the gates
we crawl into our Jeeps
and drive home to working class neighborhoods
we eat dinner
and collapse into recliners
to watch sports
on our big screen TVs
we swallow down some aspirin
and fall asleep in our beds
and sleep about half of the recommended hours needed
to live a healthy life
we wipe sweat from our foreheads
and watch our dreams
slip away into the night
we wipe sweat from our foreheads
while worrying about paying for braces
or for our daughter’s college tuition
we wipe sweat from our foreheads
while never asking for a goddamn thing
but a chance to push our kids
a little higher up the caste system
we’re a proud bunch
us factory rats
we sweat and we bleed
we ache and we limp
we wipe sweat from our foreheads
while politicians talk about us
like we’re numbers on a chart
we wipe sweat from our foreheads
and we barely notice
the industrial fans
that hum above us
Dan Denton is a former union autoworker turned full time writer. His poetry and short stories are widely published, and he is the author of multiple novels including his most recent The Dead and the Desperate (Roadside Press, 2023).
Learning How to Drown,
by Joseph Kerschbaum
Traffic lights flashed slow yellow
over intersections where no one
crossed paths at that time of night.
Yield in every direction. Vacant Walmart
parking lot looked haunted, where faint spirits
drifted under fluorescent lamp posts,
but if you looked close enough, it was
just August air thick with humidity.
Most households were turned down for the night
as I drove through the streets
that I could navigate
with my eyes closed.
Everything felt exotic in the dark
with no one around.
Police cruisers followed me,
running my plates for priors
or outstanding warrants. Analyzing my driving
for signs of intoxication
which was commonplace
not long before midnight.
The message was clear,
I wasn’t supposed to be there.
Anyone on the streets at that hour
was suspect somehow.
Thread the needle of driving
under the speed limit but not so slow
I made my avoidance apparent. No rolling
stops at stop signs. Gave the bored patrol
no reason to pull me over and find
the weed in the glove compartment.
Mine was an inverted existence
where night was my day and day was night,
working third shift as a temp at the plastics factory
for the summer. Time and my place in it
wasn’t clear or linear. I was a tourist
wandering through lives in progress.
In a few weeks, I would be gone
on my way wherever
my unfolding path would lead.
This is why no one bothered
to learn my name.
Most of the skeleton crew
looked exhausted
before the shift started.
Still, we had eight mind-numbing hours ahead.
The brittle thin couple, Amy and Jim,
were androgynous, interchangeable.
They could pass for twin mannequins
except they walked and talked.
They were already tweaking
and fidgeting. Most nights,
they crashed before lunch.
We formed a crescent moon
around Bill, our mumbling shift manager,
who looked as wrinkled and threadbare
as his faded flannel shirt.
If Dr. Jekyll had kept a menagerie
of Mr. Hydes under his skin
and they took turns on the carousel
of his consciousness, this would be Bill.
There were as many versions of him
as there were flavors of alcohol
or varieties of narcotics.
Tonight, it was ‘Pills Bill’
who appeared when we clocked in
then disappeared until dawn.
What reaction is justified after you reach
the arduous peak of your life
only to realize you were scaling
a mountain of garbage?
All of this was according to employees
who mocked Bill,
gossiped in the parking lot,
and snickered as he called out
who would work each press for the night.
There was no winning or losing,
all of the machines were equally
tedious and soul-erasing.
Each decrepit press was kept on life support
well beyond its intended lifespan.
They labored heavily as if running in place
with a collapsed lung.
As each machine gave up the ghost
an alarm would ring
like a heartbeat flatlining on a monitor.
With each mechanical breakdown,
a voice that sounded like a refrigerator
thrown down a flight of stairs
erupted in a stream of obscenities.
You could hear the fury of a life wasted
patching together so many things
that wanted to stay broken,
machines or otherwise. Watching that fucking boulder
roll down the same goddamn hill
again and again. Todd, the third-shift mechanic,
was a perpetual ball of rail-thin, grease-covered,
speed-addled, balding rage menacing the factory floor
like a schoolyard bully in steel-toed boots.
The ever-present wrench in his white-knuckled fist
always looked like a weapon.
Each press was an unwilling Lazarus
dragged back to life night after night.
Less a savior, Todd was more of a masochist.
If machines could feel anything,
they would have a shared sense of impermanence
with those of us who occupied the assembly lines.
Together we forged hot plastic
in the shape of big gulp cups.
All summer, all of us made
low-quality promotional plastic products
for an animated movie no one remembers,
sold at a burger chain no longer in operation.
Everything we made was disposable
detritus that had no value
and now overflows landfills.
Anyway, Candy would say, it’s a paycheck.
Who gives a shit where this garbage goes?
Someone is going to make it,
and might it as well be her.
She was behind on bills,
and her car needed a catalytic converter.
And they didn’t do drug screenings,
which is an invasion of fucking privacy
by the way, she reminded me frequently.
What she does in her free time
is none of their goddamn business.
She walked out to Kyla’s Ford Focus
where they smoked meth during lunch.
Alone in my Mercury Comet,
I ate a baloney sandwich and sparked a joint.
The sun would rise in a few hours. I would
be gone in a few weeks,
back to state college. Blue-collar, free-lunch,
food-stamps kid who sold plasma
twice a week to pay for textbooks
and worked at factories
over breaks to pay tuition. During that long,
exhausting summer, I felt
misplaced in the world. I was a tourist
everywhere. I didn’t belong anywhere.
Inside the other parked cars,
red tips of cigarette cherries
glowed in the dark.
Smoke rolled out of the windows.
Faces gazed out into the night.
Small embers pulsed with each deep inhale,
thinking about whatever other people think about
at three in the morning, alone in their car,
when the August heat
doesn’t relent even at night,
just like everything else that stalked
in the dark at the edges
of the yellow lamp post light.
One moment of turbulent peace
before heading back
into the belly of the rusted beast.
At four in the morning, time contorted.
Early morning hours elongated
like taffy sagging in the middle as it stretches.
The second half of third shift
always felt twice as long
as the first half.
Mixed with moderate insobriety, the monotonous
sound of the machines became a rhythm
that lulled anyone into a dulled existence between
waking dream and sleepwalking reality.
Operating a press for hours was muscle memory,
rhythm, and timing. Nothing to do with skill.
Close the metal door, open the metal door,
pull out eight hot plastic cups,
place them in a box, close the door, open the door,
hot plastic cups, stack in boxes,
open, cups, box, close, open, cups,
box, close, open, close, open,
close, open, cups, box, close, open, cups,
box, close, open, close, open,
close, open, close, open, close, open,
close, open, cups, box, close.
Urban legend said if you disturb a sleepwalker
mid-dream, they would be shocked awake
and have a heart attack. This is not true.
Otherwise, we would have all been casualties
scattered across the factory floor when the bell rang
at the end of our shift every night.
We walk fatigued out of the building. Jolted
by sunrise, fresh air that wasn’t toxic,
and a rush of nicotine from the first drag
off the first cigarette in hours.
Cicadas were already stirring up their singing.
Low hum in the morning
with a deafening assault in the afternoon.
As scheduled, their brood returned
after seventeen years.
Staring through her thick sunglasses,
Candy said, Jesus Christ, has it been seventeen years?
I started working at this fucking place last time
those disgusting bugs covered everything.
I was a temp worker like you, she said looking at me.
During the summer of the previous Brood X,
Kyla married that cheating piece of shit Rick.
But that was a great summer, she said,
nothing like this one.
In unison, a dozen cars pulled out of the parking lot.
Morning traffic was flowing
in the opposite direction. Nothing exotic
about driving home at sunrise.
The Walmart parking no longer looked haunted.
Daylight had exchanged one kind of ghost for another.
No cops followed me home.
They were perched
under overpasses hunting
for speeders on the interstate.
I smoked one last joint before pulling up
to the duplex rental across from the county jail.
I met my father as he opened the front door,
framed like staring into a mirror
that reflected a future
that waited at the end
of a long road of difficult circumstances
and bad choices.
You’ll never know
which ones are the bad ones
until it’s too late.
He nodded and said there is still coffee
as he headed out for first shift
at the driveshaft factory.
Rinsed off and laid down, I listened
to the rattle of the electric gate
across the street, open and close as cops
ended and started their shifts.
Woke mid-afternoon in a haze, unsure
if it was morning or evening. All summer,
I existed outside of time and inside a future
that was already waiting,
all I had to do was nothing
and it was ready to begin.
Like learning how to drown;
just stop moving
my arms and legs, don’t panic
as the surface disappears.
Or chose to swim until I lose sight
of the shore, until I have no choice
but to keep swimming
out into the bottomless dark.
Joseph Kerschbaum’s most recent publications include Mirror Box (Main St Rag Press, 2020) and Distant Shores of a Split Second (Louisiana Literature Press, 2018). His recent work has appeared in Reunion: The Dallas Review, Hamilton Stone Review, The Inflectionist Review, Main Street Rag, In Parentheses, and Umbrella Factory. Joseph lives in Bloomington, Indiana, with his family.